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Anarchy is not chaos. It is not destruction. It is simply the absence of "government."

The agency most people erroneously identify as "government" today is in reality a gang of lawyers, armed thugs, and con artists backed by an army of bureaucrats, which operates an immense array of protection and other rackets financed through extortion and fraud.

 

More Libertarian Links

 

 

Robin Renitent

 

Freiheit kann man nicht simulieren!

 

 

I assume there will always be people who will complain about something or who will criticize public issues.  Therefore I suggest the following:  Just continue surfing.  I’m not going to stop you!

 

Museums Germany

Akademie der Kunste

Bauhaus-Archiv Museum of Design

Berlinische Galerie

Brohan Museum

Brucke Museum

Georg Kolbe Museum

German Historical Museum

Hamburger Bahnhof

Kathe Kollwitz Museum

Mies van der Rohe Haus

Kunsthalle Bielefeld

Art and Exhibition Hall of the Federal Republic of Germany

Kunsthalle Bremen

Paula Modersohn-Becker Museum

Kathe Kollwitz Museum

Museum Ludwig

Wallraf-Richartz-Museum

Staatliche Kunstsammlungen Dresden

Kunsthalle Dusseldorf

Kunsthalle in Emden

Museum Folkwang

Fotografie Forum International

Frankfurter Kunstverein

Museum fur Moderne Kunst

The Orangerie and the Otto Dix House

Hamburger Kunsthalle

Kunstverein in Hamburg

Museum fur Kunst und Gewerbe

Wilhelm Busch Museum fur Karikatur und Kritische Grafik

Center for Art and Media

Staatliche Museen Kassel

Franz Marc Museum

Museum der Bildenden Kunste

Mannheim Internetional Kunsthalle

Alte Pinakothek

Architekturmuseum der Technischen Universitat

Bavarian National Museum

Lenbachhaus

Museum Villa Stuck

Pinakothek der Moderne

Nolde Museum

Albrecht Durer's House

State Graphic Art Collection

Germanisches Nationalmuseum

Staatsgalerie Stuttgart

Kunsthalle Tubingen

Kunstsammlungen zu Weimar

Kunsthalle Wilhelmshaven

Kunstmuseum Wolfsburg

Museum Wurth

 

 

Museums Europe

Vienna Kunsthistorisches Museum

Kunsthalle Wien

Baroque Museum (Barockmuseum)

Koninklijk Royal Museum of Fine Arts

Jewish Museum of Belgium

Rene Magritte Museum

Czech Museum of Fine Arts

Ludwig Museum of Contemporary Art

Centre for Contemporary Art

Odessa Museum of Western and Eastern Art

Louisiana Museum of Modern Art

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Louvre Museum

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Rijksmuseum

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Van Gogh Museum

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      My favorite painters        
      The art of Toshiko Horiuchi MacAdam        
   

The philosophy of Liberty is based on the principle of Self-Ownership

>all kinds of socialism cause poverty<

   
   

A page that over and above its political content also shows the world and environment of people who stand for their libertarian ideas.

   
       

click  Welcome and position   click

         

Denk mal nach...

     

Text deutsch/englisch     Redaktion: Carlo Canvas

     

Think about it...

 
                   
             

 

     

 

 

 

 

 

"Mit der Abschaffung der Meinungsfreiheit, zunächst in bestimmten Bereichen, wurde der Weg zur Abschaffung des Rechtsstaates, der Weg in die Knechtschaft, betreten.

 

Denn wo die Wahrheit gering geschätzt wird, geht bald die Freiheit verloren."

 

Gerard Radnitzky

 

„Den Islam sehe ich als eine außerordentliche Bedrohung an, als eine feindliche Gesellschaft."

 

Pim Fortuyn

 

"Capitalism gave the world what it needed, a higher standard of living for a steadily increasing number of people."

Ludwig von Mises

 

"Libertarians first and foremost trust themselves. They do not scream for help and demand that the Government should provide “comforters” and an all-round social care system."

 

Robin Renitent

 

"Diejenigen,

die den von Palästinensern ausgehenden Terror als „Freiheitskampf“ verkaufen und Israel ein Notwehrrecht absprechen, die die positiven Seiten dieses einzigen respektablen Rechtssystems in Nahost leugnen, widern uns in ihrer ideologischen Unaufrichtigkeit an.´"

 

Robin Renitent

 

"Unfortunately, history shows that running an empire is a disastrouly expensive business. You pay in cash. You pay in blood. And you pay with your own soul."

 

Bill Bonner

 

"Nirgendwo wird die Würde der Frau so verletzt wie in der islamischen Gesellschaft.

 

 Die Geschichte des Islam ist eine einzige Entwürdigung der Frau und das bis zur Stunde.

 

 Und ich will das sagen dürfen, auch wenn es radikalen Muslimen nicht gefällt. "


Ralph Giordano

 

"Gibt es irgendwo auf unserem Planeten ein Land, das an zu wenig Staat leidet? Wann, wo und wie hat es das jemals gegeben?!

 

Es hat Länder gegeben die gelitten haben, weil ihre Armee zu klein oder zu schwach war, aber niemals, weil ihre Regierung zu klein gewesen wäre."


 Richard Daughty

 
 
 
 
 

 

 

 

 

 

 

 
 
 The art of Toshiko Horiuchi MacAdam
address:

Interplay Design& Manufacturing, Inc. PO Box 631 , Bridgetown, NS, Canada BOS 1CO

email: interplay@ns.sympatico.ca
telephone: (902)665-5161
fax: (902)665-5141
education & training 1964 Bachelor of Fine Arts, Tama Art University, Tokyo
1966 Master of Fine Arts, Cranbrook Academy of Art, Michigan
current
positions:

1995- present - President of Interplay Japan, Tokyo
1990- present - Vice-President of Design & Mfg, Inc, Bridgetown, NS, Canada
2002- present - Instructor in 'fiber, fabric, fashion' at NSCAD University, Halifax, Nova Scotia, Canada
 

past employment:

1981-82, Professor of Textile Design, Kyoto Junior College of Art.
1978, Assistant Professor of Textile Design, summer school NSCAD University, Nova Scotia, Canada.
1970-83, freelance designer, Topcan Printing Company, Tokyo.
1968-69 & 1970-83, Instructor in design, weaving & non-woven techniques, Bunka Institute, Tokyo.
1969-70, Instructor in weaving & fabric design, University of Georgia, Athens, Georgia.
1967, Instructor in fabric design, Columbia University Teachers College, New York, USA.
1967 Instructor in weaving, summer school, Haystack Mountain School, Deer Isle, Maine, USA.
1966-67 Designer (staff), Boris Kroll Fabric Company, New York, USA.

sculpture for children: selected works, knotted and crochetted play constructions. 1998-2000, Takino Suzuran Hillside National Park, Sapporo, Japan.
1997-98, Mt Fuji Children's World, Shizuoka Pref. Japan.
1996, Echigo National Park, Shizuoka Pref. Japan (design only)
1995, Kannonsaiki Park, Kanagawa Pref. Japan.
1994, Toyotomi Silk Village, Yamanashi Pref. Japan.
1994, Okinawa Memorial National Park, Okinawa Japan.
1991, Singapore Zoological Gardens, Singapore.
1990, Showa Memorial National Park, Tokyo Japan.
1981, Hakone Open Air Museum, Kanagawa Pref. Japan.
1979, Marine Expo Memorial Park, Okinawa Pref. Japan.
other works 1995, Minamitama Kango Senmon Gakko, Tokyo Japan - 'Luminous Ocean' wall piece commission, netting & crochet.
1988, Nonoichicho Cultural Centre, Ishikawa Pref. Japan. 'Luminous' stage curtain commission, netting & crochet.
exhibitions 2004, 'to a T (the T shirt re-imagined) Joint show, Anna Leonowens Gallery, NSCAD University, Halifax, Nova Scotia.
2001, 'Contemporary Textiles: Weaving & Dyeing - Ways of Formative Thinking', National Museum of Modern Art, Tokyo Japan.
1992, 'Aha Hana Lima '92' - invited exhibitor, The Contemporary Museum, Honolulu, Hawaii.
1987, 'Fabric in Space' - invited exhibitor, Tokyo Metropolitan Art Museum.
1986, 'from a line', Harajuku Art Gallery, Tokyo (solo show)
1986, 'from a line', Galerie Alice Pauly, Lausanne, Switzerland.
1983, 'Fibre Work' - invited exhibitor, Gunma Modern Art Museum, Gunma Japan.
1981-85 'The Art Fabric Mainstream', travelling exhibition selected by Jack Lenor Larsen & Mildred Constantine for the American Federation of Arts.
1980, 'Printing & Weaving Contemporary Movement' - invited exhibitor, Gunma Modern Art Museum, Gunma Japan.
1980, 'Fibre as Art' - invited exhibitor, Metropolitan Museum of Manila, Philippines.
1978, 'Women Artists of Japan', A.I.R. Gallery, New York.
1978, 'Masterpieces of Contemporary Japanese Craft' - invited exhibitor, National Museum of Modern Art, Tokyo Japan.
1977-78, 'Fiberworks: the Americas and Japan', invited exhibitor, National Museum of Modern Art, Kyoto Japan.
1977, '3rd Annual Grand Prize Exhibition', Hakone Open Air Museum, Kanagawa Japan.
1977, 'Fiberworks' - invited exhibitor, Cleveland Museum of Art, Ohio.
1997, 'Angers Tapisserie Vivante', Palais de Congres, Paris France.
1971, 'New Textile Artists', National Museum of Modern Art, Kyoto.
1968, 'Wall Hangings' - travelling exhibition, Museum of Modern Art, New York.
 
published articles & books

'Working for children of the 21st Century', Art & Craft Forum, April 2001, Tokyo Textile Institute, Japan.
'from a line', 2 vols. Kyoto:Shenshoku to Seikatsu, Sha, 1986.
Embroidery & Braiding: Japanese Craft, Volume 2, Kyoto:Tankosha, 1978 (jointly with Kayoko Aikawa).
'Japanese Textiles Today', Shenshoku no Bi Magazine - series in issues 7,8,9,10,11,12,13,14,15,16,17,18,21,22. Kyoto, 1980-83.
'Discussions', Senshoku Alpha Magazine, Kyoto, 1981-82.
'Children's Park Warabi Gusuku', Japan Interior Design, June 1979 (with F Takano).
 

works in puplic collections 'Atmosphere of the Floating Cube', National Museum of Modern Art, Kyoto.
'Castle of Nets', Hakone Open Air Museum, Kanagawa Pref. Japan.
'Fibre Columns/Romanesque Church', Musee Jean Lurcat de la tapisserie contemporaine, Angers, France.
workshops & lectures

1998, International jury member, International Textile Fair, Kyoto Japan.
1992, Guest artist, workshop leader, lecturer & exhibitor - Hawaiian Craftsman 25th Anniversary, Honolulu, Hawaii.
1986-87, Jury member, Asahi Contemporary Craft Exhibition, Tokyo.
1978, Lecture Tour of Australia, invitation of Australian Embassy, Tokyo.

works reproduced in books 'Niji no Su/Rainbow Net', photographs & drawings, in 'Design for Fun: Playgrounds', edited Charles Broto. Barcelona:Links International, 2004.
'B-bob I', 'B-bob II', 'Moon Walk', 'Rainbow Hammock' & 'Banyan Tree', published in 'Play'. Unicef, 2001, desk calendar.
'Knitted Wonder Space', published in 'Art 2-3', Tokyo:Kairyudo, 1996.
'Atmosphere of the Floating Cube', in 'Genshoku Nihon no Bijitsu', Tokyo 1994.
' Luminous Column','Knitted Wonder Space', 'Atmosphere of the Floating Cube' in 'Fiber Art Japan', Tokyo 1994.
'Multiple Hammock for Warabi Gusuku', in ' Kodomo no Kukan - Jido Shisetsu (Children's Space/Facilities for Children)', Japan Society of Architects. Tokyo 1994.
'Knitted Wonder Space', in 'Showa no Bunkaisan Kogei II, vol 7. Tokyo 1991.
'Atmosphere of the Floating Cube' in 'Showa no Bijitsu', Vol 6. Tokyo 1991.
'Knitted Wonder Space' in 'Contemporary Crafts in Japan', Tokyo, 1986.
'Atmosphere of the Floating Cube' in 'Modern Art of Japan : Masterpieces in the Museum since 1950 - Crafts', Tokyo 1986.
'Atmosphere of the Floating Cube', 'Fibre Columns/Romanesque Church' in 'The Art Fabric Mainstream' by Mildred Constantine & Jack Lenor Larsen, New York 1981.
'Atmosphere of the Floating Cube', 'Multiple Hammock', 'Banyan Tree', 'Fibre Columns/Romanesque Church' in Genshoku Gendai Nihon no Bijitsu: Crafts' , Tokyo 1980.
'Light, Fabric, Space' in 'The Interior Book', Tokyo 1979.
'Climb Up/Side Down/Crawl in No. 3' & 'Fibre Columns/Romanesque Church' in 'Fibre Artists Japan' Kyoto. 1997.
works reproduced in periodicals & catalogues 'Beyond the Swing Set', New York Times Magazine, November 2004.
Tama Art University, catalogues 2001, 2002, 2003, 2004, Tokyo.
'Rainbow Net: scuplture for Children', Shenshoku Alpha, April 2002, Tokyo.
'Net Working', Azure Magazine, July/August 1999. Toronto.
Kenchiku Bunka (Architectural Culture), April 1994.
'Creative Play Structures for Children', Katachi Magazine, Fall 1991. Tokyo.
Hitsunai, Decmber 1987
Bijitsu Techo , February 1987.
Portfolio, February/March 1987, Seibundo Shikosa, Tokyo.
Senshoku Monthly, January-May 1980.
'On their Own, Toddlers Play Among Stone & Hammocks' , Landscape Architecture, American Sociiety of Landscape Architects, November, 1979.
'Woven Wonderland', American Fabrics & Fashion, No. 117, 1979.
'Fiber' Craft Horizons, American Crafts Council, August 1978.


 
Horiuchi is not showing any of her actual work at the Knitting & Stitching Show, but she has been happy to allow us to present documentation of her work to introduce her to a new audience.

Toshiko Horiuchi Macadam is one of Japan's leading fibre artists, and one of a very small number that sometimes use knitting or crochet in their work. Living in Canada, she now specialises in creating large, interactive textile environments that function both as imaginative and vibrant explorations of colour and form, at the same time as providing thrilling play environments.

She was born in 1940 and attended Hibiya High School - a school known throughout Japan for it's high standards. She studied fine art at the Tama Art University, Tokyo, followed by a Masters at Cranbrook Academy of Art, Michigan.

 

The beginning of her career coincided with the development of 'fibre art' as an active sub-section within the fine art world. Her work was very much a part of the new wave of fibre art that happened in the 1970's, and she was one of several Japanese artists to make a deep impression.

'Fibre Columns/Romanesque Church'
sprang, nylon rope - 15' x 90' x 12'

'Fibre Columns/Romanesque Church' and 'Atmosphere of the Floating Cube' were two pieces that were featured within several major accounts of that movement, in books such as 'The Art Fabric Mainstream' by Mildred Constantine & Jack Lenor Larsen. There they describe how 'she knit hundreds of gold and silver lengths, stretched them into concave panels, and composed them as a cube. Then, with powerful knee-height floodlights, she transformed the whole into a haloed radiance.'

Working on a large scale seems to be a part of Horiuchi's character. Larsen & Constantine noted that, at the time of writing, apart from the work of Horiuchi and Anne Sutton, knitting was mostly used in miniature textile work.

In the early 1970's, with the fibre art movement still in full flow, Horiuchi underwent a fairly radical shift of direction. From this point her work shifted out of the gallery, and we find her making work that exists specifically to be used and explored rather than simply looked at. She also seems to leave behind the cool, muted pallette that characterises her early work, in favour of the rioutously vibrant colours of the rainbow.

The principal 'explorers' of her new work, as you will see on the next page, are children who seem to discover there something gloriously free from barriers and constraints, a world every bit as vivid as their own and one that seems to provide a playing heaven that, surely, they knew all along must exist somewhere.

'Luminous Column', exhibited at 'Fabric in Space'
Tokyo Metropolitan Art Museum.
1987
http://www.knitjapan.co.uk/features/c_zone/horiuchi/profile.htm
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
   

 

 

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My favorites:

 

 Ali, Ayaan Hirsi
Aliberti, Lucia
Barenboim, Daniel
Benanteur, Dahmane
Berger, Erna
Berliner Philharmoniker
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Bläser der Berliner Philharmoniker
Bravo, Manuel A.
Broder, Henryk M.
Bunny, Rupert W.
Fallaci, Oriana
Friedman, David
Galitsin, Gregori
Giebel, Agnes
Gigli, Benjamino
Hopper, Edward
Johaentges, Karl
Kästner, Erich
Koelbl, Herlinde
Lebeck, Robert
Lenau, Nikolaus
Leonhard, Wolfgang
Michener, James A.
Müller, Wilhelm
Nakic, Adrian
Newton, Helmut
Rand, Ayn,
Richter, Karl
Richter, Svjatoslav
Rozhdestvensky, G.
Saarinen, Pekka
Schneiderhahn, W.
Serebryakova, Sinaida
Snow, Aurora
Traven, B.
Wunderlich, Fritz

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We seem to have overcome

Soviet fascism, though the heirs

of Nazi-fascism live; but the biggest threat

to freedom lies

in Islamic fascism.

 

  Freedom is not

self-evident. 

 

We are at war – and we have to defend ourselves. 

 For the sake of

our children.

 

Freedom knows

no compromise!

 

 

"Europa ist nicht mehr Europa, es ist 'Eurabien', eine Kolonie des Islam, wo die islamische Invasion nicht nur physisch voranschreitet, sondern auch auf geistiger und kultureller Ebene."

 

 Oriana Fallaci

 

"Seit den Anfängen der Geschichte stehen sich die beiden Antagonisten gegenüber: der Schöpfer und der Schmarotzer. Als der erste Schöpfer das Rad erfand, tat der erste Schmarotzer den Gegenzug. Er erfand den Altruismus."

 

Ayn Rand

 

"Wir sind keine Bürger mehr, wir sind Untertanen, bloße Zuschauer am Schicksal, das andere für uns gewählt haben. Wir sind nur dann Bürger, wenn wir echten Einfluss darauf haben, wie unsere Steuergelder ausgegeben werden. Wir sind Untertanen, wenn wir die Steuern einfach nur bezahlen, während andere entscheiden, was mit diesem Geld gemacht wird. "

 

(Robert Spencer)

 

"Tyranny is a political corollary of socialism, as representative government is the political corollary of the market economy."

Ludwig von Mises

 

"There is no comparable contractual relationship between the state and its citizens. Therefore we resist the enforcement-monopolistic state."

 

Robin Renitent

 

"Der Islam vertröstet

auf das Paradies, die Sozial-

demokraten auf eine Besserung in zehn oder zwanzig Jahren."

 

Ayaan Hirsi Ali

 

"Es gibt eben keine andere Wahl als die: entweder von Eingriffen in das Spiel des Marktes abzusehen oder aber die gesamte Leitung der Produktion und der Verteilung an die Obrigkeit zu übertragen. Entweder Kapitalismus oder Sozialismus; ein Mittelding gibt es nicht."

 

Ludwig von Mises

 

"Public interest criteria" does not mean criteria that the public decides are in its interest. It means that the elite – via various appointed bodies – decide what the public’s interest is for them."

Mark Steyn

 

"Es gibt keine einfachere, keine wirksamere und keine dauerhaft verläßlichere Methode der Herrschafts-beschränkung (und damit der Freiheitssicherung) als dem Herrschaftsapparat die Verfügungsmacht über das Geld zu entziehen."

 

Roland Baader

 
 

   

 

   
                 
         

 

 

 

     

 

     

       

 

         
       

 

       
       

         
                   
       

All articles and links, not written by rebellog,  are quotations. The articles and links we present in these pages we found at the time to be interesting. As a matter of principle, we cannot accept any restrictions to links with pages of dubious content. Judgement is left to the responsibility of the visitor. 

         
                   

 

     

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rebellog stands for:


Libertarianism – Anarchism - Anarchistic-Capitalism - Self-Governance - Individualism - Free-Trade - Global Competition - Right to Self-Defence – Cosmopolitanism - Freedom of Expression - Self-Determination – Optimism - Environmental Stewardship - Gender Equality – Liberty - Independent Thinking - Right to Bear Arms - Critical Thinking - Right to Refuse Taxation - Right to Notaxable Income - Friendship with America and Israel - Right to Abortion-Pornography - Prostitution - Mild Stimulants
 

rebellog rejects:


Conservativism-Social - Democratism-Liberalism - Socialism-Collectivism - Government Control - Collectivism-Majority Rule - Protectionism -Tarifs – Duties - Wealth Redistribution – Nationalism – Censorship - Extreme Social Programs - Passivism-Nihilism - Environmental Fanaticism - Feminism – Quotas - Peace Activism - Fad Activism - Arms Control - Intellactual Submissivness - Compulsive Government Taxation - Unions -Government Employment Regulation - Anti-Americanism - Anti-Semitism - Government Privacy Invasion

 
       

 

       
       

         
 
 

 

Ребеллог постоянен

 

  • Радикально либертарианен

  • Анархичен

  • Противоположен официальным направлениям

  • Не конвенционален

  • Критичный

  • Прямен

  • Индивидуален

  • Оптимистичен

  • Признаёт успехи и прогресс

  • За капитализм

  • Свободный рынок

  • Поддерживает учения Австрийской школы экономии

  • За возврат к золотому стандарту

  • В дружбе с Америкой и Израелем

  • За обход налогов

  • Против коллективизма

  • Против социализма

  • Против успокоителей

  • Против исламизма

  • Против уравнивания в ЕС

  • Против идеологической валюты и евро

  • Против присоединения Турции к ЕС

 

ещё больше здесь

 

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Все виды социализма создают нищету
 
Философия свободы базируется на принципе самообладания
 

Налог это украденные деньги und darum sind wir auch der Meinung, daß sie grundsätzlich hinterzogen werden sollten!

 

Sept., 11th  2001

 

 

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